Forgiveness Begs The Question

This FB entry is by my uncle, Jimi Barlow,  writer for the Univeristy of Oregon (formerly  journalism at U of Ill - urbana/champaign) Jimi - 1975      Early Career  Left -Jimi in 1975, Rebel with a Cause. Right photo - Jimi in 1955 - already predestined for a writing career The following Facebook Entry is just one example of why I love this man - my Uncle Jimi - endowed with integrity, wisdom, and the curiosity of Michelangelo and a pen of wisdom . . . he is the one I can thank for my love of reading!  Spending time with him in the summers, I read The Odyssey and Illiad at age 12, The Pearl, listened to the Beatles, saw that the world was bigger than the crumbling 'abode' I was growing up in . . . saw that education can make a difference.       http://uonews.uoregon.edu/staff/jim-barlow His travel blog:  http://www.barlowtravelerblog.com/?page_id=4 In front of some overstuffed bookshelves -  ..  he passed this love of the written to me, a most pecious heirloom.   He is the definition of what an uncle (my biological father's brother) should be (as opposed to the white trash uncle -married to my maternal aunt - that raped me). And always, he was the doppelganger of John Lennon . . . if John Lennon were still alive, he would look like my Uncle Jimi! Facebook does provide some intelligent conversation, such as this topic: Jim E Barlow I answered our main line today, something I don't normally do. An older, well spoken woman with a European accent said that she was needing to say something about an on-going situation we're having on campus. As background, we have a retired professor who years ago began hosting a free-speech forum in which he invited people with rather oddball opinions to speak on their causes. The events were off campus, but he got ousted from one or two places, then realized as a professor with emeritus status he could, under university policy, use some meeting rooms without charge. Recent events have included those who deny the Holocaust. The forum has been labeled by a national oversight group as a hate organization. Things heated up this academic year with a series of talks by those who pledge allegiance to the Nazis and who openly use swastikas. Students have become outraged, marching, holding protests and prompting their student-government association to approve a resolution calling on the university administration to close the campus to this forum. At face value, what the students are asking could be applauded. Their stand is stop such blatant hatred away, but they are making this stand on a campus long known to be open to counter opinions and cultural choices. The administration is wrestling with repealing a policy that allows long-time professors who retire in good standing from having access to campus. To refuse the forum's use of meeting space would be acting in opposition to the very stance that allows free speech.... See More Back to the woman caller. After saying she had something to say, she literally continued talking for some 10 solid minutes, without me uttering so much as a uh, huh. She said she was very upset over the current dispute and the hatred that underlies it. She said that in World War II she lived in Europe. Her family was continually in hiding and/or on the run, and the appearance of swastikas always led to oppression and brutality. Her family fled to England, and nearly died together amid the onslaught of German bombing runs on London. As she wound down, I was sure she was going to urge me to tell the president to close the doors on the forum and forever silence the voices of these hate-spreaders. Then she blew me away. She said that she struggled for years to understand what happened to her family, and why. That she, over many years, had come to find peace and forgive the Germans but not the underlying hatred. She said that our students need to listen to these purveyors of swastikas and what they stand for. The students need to be told and understand the history of the Nazis and learn, probably for the first time, that such hatred really happened. Do not oust the forum, she said, but encourage students to listen and absorb, and then study the context from which these people emerged. Don't silence them. Learn from them. Reject them, peacefully. Finally, she stopped. I simply said, "That is the most intelligent, compassionate and most-educated comments I have heard since this issue came up." Our conversation continued for another 10 minutes. An hour later she called back and asked to talk to me again. She thanked me for listening and told me about her family. She has three grown children, each living in another country, including deep in China. That someone can survive the most hideous oppression and then speak up on behalf of freedom of expression is awe-inspiring. And it makes you think. Yesterday at 11:16pm The comments following were as heartfelt and as brilliant as he is, if you FB - you can friend him!!!
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Unconfined Perspective

Obviously I have been lost for a month or so - at least to my blog.  It is the never-ending struggle of balancing my 'daily' life with my 'art' life, which somehow doesn't seem to co-exist very well during certain times of my life.  As you know, I don't have a 'day' job or a salary.  So, what, EXACTLY, do I do with my time??? I've been trying to figure that out myself.  When I do get down into my beloved, treasured studio - I am extremely productive.  In fact, I am amazed sometimes at the amount of work I can get accomplished overnight.  It is the 'getting down there' that is the problem at hand. Studio Image from Fall 2009 Studio Image from Fall 2009 Unbeknownst to some, the work of an exhibiting artists entails caboodles of paperwork.  Some days it feels like I have made work (let's say 1 day that week), but the rest of the time is spent marketing, proposing, begging for grant money, all in an effort to have that work get out to the public.  I've been struggling with this, too.  Is my work created just for me?  Would it be enough to make it and keep it hiding here in my house?  If I do keep it here, what does that make it?  A hobby? Finished Encaustic Assemblage Work - on studio shelf Finished Encaustic Assemblage Work - on studio shelf I think intent is so important here - my intent when I make objects or alter them is to make commentary on social issues.  Therefore, I have a calling to do social interpretation . . . which, therefore, requires a society to interact with them.  Would it not be so much easier if I just wanted to quilt something to keep myself and my loved ones warm?  Here is my stick - that isn't enough for me. So there.  It isn't enough for me.  So my calling is to make and my duty is to get it out there.   Towards that end I had the 2 trips to Grand Rapids for Artprize in Sept/October.  I still had my broken ankle and that made things more difficult - but the installations were great and it was seen by more than 10,000 viewers.  I found out during that trip there is still much gender-bias in the art world.  I am disappointed, but more determined than ever to move forward. Coping Skills, as lit at ARTPRIZE 2009 Coping Skills, as lit at ARTPRIZE 2009 Also during October were 2 of my kids' birthday parties (Claire's 7th was a happening in and of itself) . . . more company and then in November I had the honor of being chosen as the first ever seed SPACE artist in Nashville, TN.  [NOTE: seed SPACE is a lab for site-specific installation, sculpture, and performance-based art that brings attention to the excellence, diversity, and interest in contemporary art in Tennessee.  seed SPACE brings in nationally recognized art critics to write exhibition essays.]  My art reviewer was Chen Tamir the Director of Flux Factory, Queens, NY.  seed SPACE is currently developing their website - I will provide their link when it becomes available. Having an interview with a critic is not an easy thing.  I am a very open person (obviously) - but I find that each time I have had a one-on-one with an art critic (including Linda Weintraub) the experience has cracked my art spirit wide open - even further than it was prior to the interview.  I have likened it to having a living autopsy performed on oneself.  I maintain that opinion.  The benefit of going through this process is that the critic/reviewer, from their UNCONFINED PERSPECTIVE, can see all the connections and scars and various conditions of your lifework.  Talk about insightful.  Revelatory.  Cathartic.  I could go on and on. Thomas Eakins' THE GROSS CLINIC Thomas Eakins' THE GROSS CLINIC This all brings me to the following  responses about the experience:  the first draft review is incredibly astute and I appreciated the seriousness with which Chen viewed the work and our interview.  It  is invaluable to me, as a developing artist, to have such direct and unconfined perspective on my works to date.  Interestingly enough, these interviews always spur in me an even greater understanding of who I am becoming and my place in the world - let alone the deeper investigations with the works themselves. There are many other things which have occurred, including the beginnings of several new series, but November seemed to focus on investigating previous works as they are being exhibited.  Additionally, I have 3 years worth of blogs to re-load all the images for due to my Typepad/Wordpress transfer - total debacle! As I move into December, it begins another year of my life - my 43rd.  Although some have mistakenly dismissed me as a bored housewife, I can tell you - there is little that would be more difficult for me to attempt than to nurture my art at the same time I try to raise a family.  If I only needed to be entertained, i can think of much funner, cheaper, and immediately gratifying than being an artist.  It is not the easiest route.  Forging a new path never is.
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