What I Have Learned From Trees

I began this post several weeks ago, which now seems like years. Since then, many events have occurred in my life and the lives of my most beloved of souls.  The thoughts I was having seem even more timely now.  Perhaps my soul was preparing itself . . . in any event, I feel led to make these observations on TREES.   Right View: A view as seen along the Natchez Trace in Rural Tennessee.  Taken May, 2009. If I could choose to be any kind of tree, it would be a POPLAR.  Poplar trees have the added bonus of filtering toxins from the soil/ground water.  I would love to be considered a filter - to take in the poison and give out only cleansed energy. From my early days as a barefooted, country girl growing up in rural Illinois and Indiana, trees have framed my life.  From the giant, canopy of grandpa's oak tree on the Indiana farm to the Ginkgo Trees that grew across the street, I have been drawn to the strength and beauty they provide.        What intrigues me most about trees is that they internally and externally exhibit their key characteristic of RESILIENCE - which if you follow me at all, you will know is my eternal quest to grasp.
re·sil·ience [ ri zílly?nss ] or re·sil·ien·cy [ ri zílly?nssee ]
noun 
Definition:
 
1. speedy recovery from problems: the ability to recover quickly from setbacks
2. elasticity: the ability of matter to spring back quickly into shape after being bent, stretched, or deformed It is amazing to me that a view of the tree's internal rings reveal it's entire biography - the year it was born, the travail of injury, the years of abundance and nurture.  I am amazed at the individuality of each scar.  Not only the individuality, but the fact that these scars are the cause of so much beauty and the site of resilience and self-healing.  In a way, these trees are my 'heroes' and nature is where I can instantly receive the succor and peace from everyday challenges.  It is like an instant realignment of internal and external health.  See, echophsycology posting, http://sherfickart.typepad.com/my_weblog/2008/01/essay-eco-psych.html (Eco-psychology and Inner-World Balance) as well as a previous posting http://sherfickart.typepad.com/my_weblog/2008/10/natures-gifts.html (Nature's Gifts)   Along the Natchez Trace I became lost.  Lost, literally, but emotionally as well.  This sojourn provided time to dwell in the bucolic world.  I saw the way nature ate away at the attempted confinement of man.  The trees were devouring the very man-made structures used to tame them.  As time passed, the con-finements were devoured, but the fact of them was left behind - the trees had continued to grow about the chains of man and left behind the visualization of their conquering spirits.   I, too,  seek to be triumphant and to devour my oppression and create a beautiful outcome.  Just like these trees, I hope to heal and transform my internal and external scars into marks of strength.   So, once again, my ruminations return to WHAT REMAINS?  What we keep and why? What will my story say at the end?   To learn more about the Life of a Tree, visit

http://www.arborday.org

 

 
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About the Artist

Sher Fick holds a BFA Painting/Sculpture (2006) from Middle Tennessee State University and has studied at the Santa Fe College of Art and The Arrowmont School of Arts and Crafts. While living in the Florida Panhandle, Fick was nominated for the Cox/Bravo Channel’s Champion for the Arts Award. Fick’s work explores personal and cultural archeology utilizing encaustic, fiber, and mixed media. Regarding the recent work “Coping Skills” (fiber/wood/plexi-mirror/prescription bottle installation), Art Critic/Writer, Tonya Vernooy, notes that Fick’s work “examine[s] normality and the question of enhancement versus therapy . . . [t]he vibrancy and symbolism commemorating her past self and simultaneously rejoicing in the person these pharmaceuticals have allowed her to become”. Linda Weintraub states that the work ‘celebrates the success of [Fick’s] determined efforts to stitch the fractured parts of her personality into a coherent persona . . . Fick defies the stigma against the use of prescription drugs to assist women in becoming responsible and loving mothers. Art Critic David Maddox found Fick’s work, “dealing with childhood and domestic matters” handled in “ . . . a pleasurably lively manner” and that the materials were arranged in a “ . . . ceremonial and ritualistic” way.
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